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75:726.593 --- 75 PACHER, FRIEDRICH --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Schilderkunst--PACHER, FRIEDRICH

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Christian religion --- Sculpture --- Painting --- anno 1400-1499 --- anno 1500-1599 --- altarpieces --- Altaarstukken [Renaissance- ] --- Altarpieces [Renaissance ] --- Renaissance altarpieces --- Renaissance-altaarstukken --- Renaissanceretabels --- Retabels [Renaissance- ] --- Retables de la Renaissance --- Altarpieces, Renaissance --- 726.593 --- 247.2 --- 75:726.593 --- -Art, Christian --- Altaren --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- -Altaren --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 726.593 Altaren --- -Renaissance altarpieces --- Christian art and symbolism --- Renaissance --- Iconography --- History of civilization --- Art et symbolisme chrétiens --- Modern period, 1500 --- -Altarpieces, Renaissance. --- Christian art and symbolism - Modern, 1500 --- -Altarpieces [Renaissance ] --- -Altarpieces, Renaissance --- -Christian religion --- Altarpieces, Renaissance. --- Christian art and symbolism - Modern, 1500-

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Cut in Alabaster' is the first comprehensive study of alabaster sculpture in Western Europe during the late Middle Ages and Renaissance. While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. 'Cut in Alabaster' charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.

Sculpture --- sculpture techniques --- alabaster [mineral] --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Europe --- Alabaster --- Alabaster sculpture --- Quarries and quarrying --- Alabaster sculpture, English --- Sculpture en albâtre anglaise --- albast --- geschiedenis --- graftombes --- handel --- middeleeuwen --- religieuze kunst --- renaissance --- retabels --- De Siloé, Gil --- Meester van Rimini --- 1330 - 1530 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Europa --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- graftombes. --- geschiedenis. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- religieuze kunst. --- albast. --- handel. --- retabels. --- Meester van Rimini. --- De Siloé, Gil. --- 1330 - 1530. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Europa.

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Altarpieces --- Altarpieces, Medieval --- Retables --- Retables médiévaux --- History --- Histoire --- Altars, Medieval --- Liturgy and art --- 726.593 --- 75:726.593 --- 247.2 --- Altaren --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- Altaar. Tabernakel. Retabel. Ambon --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 726.593 Altaren --- Art and liturgy --- Art --- Medieval altars --- Medieval altarpieces --- Liturgy --- Religious architecture --- anno 1200-1499 --- anno 1100-1199 --- Altars [Medieval ] --- Europe --- Congresses --- Altarpieces [Medieval ] --- Altars, Medieval - Europe - Congresses --- Altarpieces, Medieval - Europe - Congresses --- Liturgy and art - Europe - Congresses

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The impressive altarpiece in the church of Saint-Denis in Liège is one of the most prestigious but also one of the most enigmatic witnesses to the rich Brabantine altarpiece production at the end of the Middle Ages. The interdisciplinary study carried out during its restoration at the Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels between 2012 and 2014 allowed to resolve some of the questions involved and to propose new refreshing hypotheses. The attribution to the Borman, the most prestigious Brussels sculptor family, was refined, as was its dating in the early 1530s, when the vocabulary of Italian Renaissance began to invade the art of the Meuse banks simultaneously with the still well-anchored Gothic style. This volume provides a broad platform for the exceptional character of the partial polychromy of the altarpiece, highlighted by the investigation conducted at the KIK-IRPA. This research was nourished by many comparative reflections. The abundant and varied studies presented here, mainly originate from an international conference held in October 2015. In addition, the restoration at KIK-IRPA, between 2016 and 2019, of some of the painted panels that initially adorned the shutters of the altarpiece, also allowed a beneficial reconsideration of the participation of the great Liège painter Lambert Lombard and some local workshop. Starting from an amazing work, they represent an important part of the artistic activity in Liège revived by Prince-Bishop Érard de La Marck.

Conferences - Meetings --- Sculpture --- Painting --- restoration [process] --- altarpieces --- monochrome --- polychrome --- Luik, Saint-Denis --- Borman [Family] --- Lombard, Lambert --- C3 --- religieuze kunst --- kerkelijk meubilair --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- 247.2 --- 75:726.593 --- Kunst en cultuur --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- Altarpieces --- Polychromy --- Saint-Denis (Church : Liège, Belgium) --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces, Gothic --- Conservation and restoration --- Saint-Denis altarpiece (Liège, Belgium) --- Altarpieces - Belgium - Liège --- Polychromy - Belgium - Liège --- houtsculptuur